The document provides a comprehensive case study of convention centers, detailing their evolution, design, and significance in facilitating large gatherings. It covers historical contexts, architectural innovations, sustainability features, and examples of both international and national convention centers, including the Dakar International Congress Center and the Sunrise Convention Center in Nepal. The study emphasizes the importance of integrating cultural identity, technological advancements, and sustainable practices in the design and functionality of convention centers.
CASE STUDY
OF
CONVENTION CENTERS
-
PRESENTEDBY :
AAKRITI GIRI(078BAR001)
ADWETA AMATYA(078BAR007)
ARJUN TIMSINA(078BAR010)
ASHOK SHRESTHA(078BAR011)
MANOJ THAPA(078BAR015)
OSHIN DURA(078BAR024)
PRESENTED TO:
Assoc. Prof. Surya Gyawali
Asst. Prof. Pratikshya Shrestha
Introduction
A convention centeris a large facility
designed to host conferences, exhibitions,
and events, providing space and services for
gatherings of various sizes.
Convention – A large meeting of member of
profession, a political party, etc.
Center- A place or an area where a lot of
people live, a place where a lot of business
and cultural activity takes place
Oford Ada ed Lear er Di tio ar 7th edition, Oxford
University Press
LITERATURE REVIEW
Sun rise
convention
BICC
center
sketch by : oshin dura
4.
Home About Us
Contact
•Industry-Specific Gatherings: Meetings related
to business, industries, or industrial segments.
• Academic Assemblies: Conventions based on
profession, education, and research.
• Entertainment Events: Gatherings for displays,
shows, fashion, concerts, performances, etc.
ENTERTAINMENT EVENTS
INDUSTRY-SPECIFIC
GATHERINGS
ACADEMIC ASSEMBLIES
TYPES
INTRODUCTION
Importance
• Facilitates Large Gatherings
• Economic Growth
• Promotes Networking
• Supports Event Diversity
• Enhances City Branding
• Encourages Innovation
source :google
5.
• Ancient Forums:
⚬Example: Roman Forums served
as civic and commercial hubs.
• Amphitheaters:
⚬ Hosted entertainment and public
gatherings, e.g., the Colosseum.
• Town Halls:
⚬ Centers for governance and
community events in medieval
Europe.
HISTORY
INTRODUCTION
1.Early Public Assembly
Spaces
open space • Trade Fairs:
⚬ Promoted agricultural goods and crafts.
⚬ Early examples in The Crystal
Palace(1850)London
⚬ Bingley Hall (1851)Birmingham
• Great Halls:
⚬ Privileged gathering spaces in castles
for knights, lords, and royalty.
⚬ Notable examples: Crathes Castle
(1323), Eltham Palace (1301).
2. Middle Ages: Trade Fairs and Great
Halls
Enclosed Spaces • Integration of LED lighting, modular spaces, and
advanced fire protection.
• Addition of outdoor plazas and hybrid event
facilities.
• Shift towards energy efficiency and sustainability in
new designs.
• Global examples:
⚬ Sydney International Convention Centre
(Australia): Sustainability and innovation.
⚬ Moscone Center (USA): Urban integration and
green design.
3. Modern Era (1950s and Beyond)
enclosed spaces
source :wikipedia
6.
HISTORY
INTRODUCTION
History of ConventionCenters in Nepal
• Traditional Gathering Spaces:(OPEN ROOF)
⚬ Dabali, Chowk, and Chautara traditionally used for public meetings and social
functions.
• Modern Facilities:(Enclosed roof)
⚬ Conventional center Kamaladi Pragya Pratisthan Bhawan 1957 AD , Bhirkuti
mandap1963 , City hall 1969, was constructed
⚬ Development of Birendra International Convention Center (BICC) on 1993 AD with
world-class amenities.
⚬ Luxurious hotels like Soaltee Crown Plaza, Annapurna, and Hyatt provide conference
facilities.
Chowk, Dabalis, and
Chautara
sketch by : oshin dura
7.
THEORETICAL
FRAMEWORK 1. UrbanDesign Theories with
Anthropological Insights
• Place-Making and Identity:.
⚬ Focus on creating functional, inclusive
public assembly spaces that balance
accessibility, aesthetics, and utility.
• Human-Centered Urbanism:
⚬ Urban designs informed by
anthropological studies on how people
engage with public spaces.
Cultural Significance in Convention Centers
• Reflecting Local Identity:
⚬ Integrating indigenous or regional architectural
motifs.
⚬ Designing for cultural festivals and heritage
celebrations.
• Cultural Inclusivity:
⚬ Creating spaces that accommodate diverse
Environmental and Economic Anthropology
• Sustainability in Context:
⚬ Understanding local environmental practices to
enhance green design.
⚬ Designing for long-term adaptability and
resilience.
• Economic Anthropology:
⚬ Convention centers as marketplaces for ideas,
2. Cultural and Environmental
Convention Centers
source :google
8.
TYPES OF SERVICES
BasicLevel Performance level Excitement level
Cleanliness
HVAC
Exhibition Hall
Toilets
Accessibility
Cost of transportation
Parking convenience
F & B outlets
Unique architectural design
Nightlife
VIP lounges
Tourist info.
Kano’s model :
Effect of Basic, Performance and
Excitement service factors in
convention centers
The Effect of Basic, Performance and Excitement Service Factors of a
Convention Center on Attendees' Experiential Value and Satisfaction: A
Case Study of the Phoenix Convention Center
9.
• Use elementslike light shelves, clerestories, and
skylights for deeper light penetration
• Use translucent panel systems, evenly distribute
daylight throughout enormous indoor spaces
• Reduces energy consumption by 35% - 55% (if
strategies like skylights are correctly
implemented).
• Use of domes, atriums, clerestory windows, anti-
solar windows, and light pipes were most
adequate for daylighting and energy efficiency
optimization
• Align the model with LEED, BREEEAM, or WELL
DAYLIGHT STRATEGY
Assessment of Daylighting Strategies in Selected
Convention Centres for Improved Sustainability
source :timesav
er
Assessment of Daylighting Strategies in Selected Convention Centres for Improved Sustainability
B. A. Adewale and E. A. Ewuoso
10.
TYPES OF SPACES
PublicSpace Semi Public Space Private Space Services
Entrance Hall
Registration Area
Exhibition Hall
Toilets
Auditorium
Conference Rooms
Seminar Halls
Toilets
Restaurants/Cafe
Administrative Office
Control Room
Loading Bay
Maintenance
Parking
VIP lounges
Seatings and flowdiagrams:
RESTURANT
ACCOMODATION
source :timesav
er
13.
• Flexible &Non-Rigid Elements:
1. Forms: Arches, cables, tents.
2.Features: High-tension materials; spans
up to 100m.
• Flexible but Rigid Elements:
1. Forms: Shells, plates, domes.
2.Features: Thin ratios (2.4":100"),
materials include RC, metal, glass, and
plastics.
• Rigid & Solid Elements:
1.Forms: Beams, frames, slabs.
• Trusses:
1.Types: Flat, curved, space trusses.
2.Widely used for large-span buildings.
CONSTRUCTION TECHNIQUE
ARCHES DOMES.
BEAMS, FRAMES
FLAT, CURVED, SPACE TRUSSES.
source
google
14.
Sustainability and Technologies
inConvention Center Design
Sustainability and Technologies in Convention
Center Design
• Green Building Technologies: Use of eco-
friendly materials and sustainable
construction practices.
• Energy Efficiency: Integration of renewable
energy sources like solar panels and energy-
saving systems.
• Waste Management & Water Conservation:
Strategies for recycling, composting, and
efficient water use. through aesthetic,
Vancouver Convention Centre
China National Convention Centre
15.
Heating and coolingthrough
• Thermal bi- metals (roofing)
• Geothermal / Greenway (river
terrace)
DESIGN FEATURES
Energy production
• Algae Panels (performance space )
• Solar Nanotechnology(Solar
panels/Spray)
Reintroduction
• Bio swales(river terrace)
• gray water treatment(purifies
water)
sources
a comprehensive design of a energy efficent conventional center - Aexis
Kautzman
16.
Conclusion: Literature
Review
Convention centershave evolved from traditional
gathering spaces like Roman forums and medieval
trade fairs to modern hubs of innovation and
collaboration. Rooted in urban design theories, they
balance cultural significance, inclusivity, and human-
centered principles while addressing environmental
and economic needs.
1.Technological Integration: Hybrid spaces, AI, and
AR/VR for flexibility.
2.Adaptability: Supporting diverse in-person and
virtual events.
3.Global Insights: Learning from successful global
examples.
4.Future Focus: Creating user-centric, dynamic, and
The Great Exhibition, Crystal Palace
IFFconvention center
• Architects: TabanliogluArchitects
• Area: 16270 m²
• Year: 2014
• City: Dakar
• Country: Senegal
• Capacity: 1500
• Represents unity and shelter, much like the
symbolic tree under which kings once met.
• "One People, One Goal, One Faith."
Inspired by Senegal’s Baobab trees, known for their
longevity and cultural significance.
Dakar International Congress Center
Source:
19.
Design Philosophy
Dakar ICC
DesignPhilosophy
• Unity and Continuity:
Separate units linked by water and bridges symbolize
community foundations.
• Longevity and Pride:
Designed to endure time and symbolize Africa’s progress.
• Transparency and Confidentiality:
Balances openness for communal activities and privacy for
state affairs.
• Sustainability:
Mesh screens, water body for energy efficiency, daylight
optimization, and heat reduction.
Source:
Plans
Dakar ICC
Functional Layout
•Main Hall:
Central rectangular space for 1,500
delegates.
• VIP and Public
Entrances: Separate pathways ensure
smooth flow and security.
• Museum and Fair Zone
Highlight culture and facilitate public
engagement.
• Presidential Access:
Private bridge to exclusive spaces.
Source:
archdaily.com
Single-Span Roof: Inspiredby the
Baobab tree canopy,
Semi-Transparent Metal Envelope:
Acts as a shield, providing thermal
protection and optimizing daylight
Heat-Resistant Glass: improves
energy efficiency.
Source: britannica.com
Design features:
Dakar ICC
Source:
26.
Combination of RCCand Steel Structure(I-section, C section, MS Box Section etc)
Source:
summa.com.tr
Source:
Structure:
Energy Efficiency
• Useof heat-resistant glass reduces
indoor temperatures, enhancing energy
performance
Mesh Curtain Façade:
Functions as a sun-break, reducing heat and enhancing shading
while maintaining transparency.
Sustainability and Environment Considerations
Twisted façade blades act as
sunbreaks, providing shading and
cooling while maintaining
transparency
Water Body enhance cooling through
evaporative techniques, promoting a natural
microclimate.
Dakar ICC
Source:
archdaily.com
Source:
archdaily.com
29.
Conclusion
Strengths:
• Integration ofcultural symbolism with modern
design.
• Simple and Effective zoning and
multifunctionality.
Critiques:
• High maintenance demands for reflective and
mesh features.
• The advanced design relies heavily on high-
tech systems, which might be costly and
challenging to maintain
• Lack of use of photovoltaic (PV) cell for
sustainable energy production
• Water around the building needs constant
cleaning and maintenance
• Lack of cultural identity in matraials
• Improper site planning and placement of spaces
Dakar ICC
Source:
arch2o.com
30.
Introduction
Mons International ConventionCentre
• Name: Mons International Congress Xperience.
• Location: Mons, Belgium.
• Area: 12, 500 sq. meter (41,010 sq feet)
• Year: Opened January 9, 2015.
• Architects: Studio Libeskind in collaboration with
H2a.
• Ownership: Public infrastructure, contributing to
Mons' urban plan.
• Expression of contrasting geometric forms.
“If you build in the right way using high-quality materials, innovation and technology, you will create something long lasting
and sustainable,”
source: archdaily.com
31.
Design Philosophy
Design Inspiration
•Vision: Blend modern geometry with historic city
context.
• Framework: Ribbon-shaped aluminum and
wooden cladding signify movement and
flexibility.
Sustainability and Innovation
• Passive shading, night cooling, green roofs.
• Integration of photovoltaic cells and geothermal
heating.
• Aiming to achieve Valideo status B, Belgium’s
equivalent to LEED GOLD.
Introduction
Mons International Convention Centre
source: youtube.com
illustration by : Manoj Thapa
32.
Design Philosophy
Design Philosophy
DesignInspiration
• Stategic Location: situated near the French
border, easy access to Mons station and the E19-
E42 motorway
• Openness and Transparency: The centre
employs large glass facades to create
transparency, symbolizing openness and
accessibility
Mons International Convention Centre
source: archdaily.com
source: youtube.com
33.
Spatial Planning andFunctional
Aspects
Functional Zoning
• Grand lobby, three auditoriums (500, 200, 100 seats),
conference rooms, offices, restaurants.
• Circulation: Open plan with central lobby connecting all
areas.
Capacity and Flexibility
• Modular event spaces for conferences, exhibitions, and
social events.
• Versatile layouts for evolving needs.
Accessibility
• Inclusive design: Prioritized universal access with ramps,
elevators, and visual cues.
Mons International Convention Centre
source: youtube.com
source: youtube.com
34.
Forum Space
Reception
Hall
Auditorium /Committee
Rooms
Administration
Management
Festivity
Hall
General Logistics
Public Entrance
Public Entrance
Parking
Entrance
Parking
Exit
Deliverie
s
SPACIAL PLANNING
source: youtube.com
35.
Architectural Elements
Exterior Features
•Façade: Champagne aluminum ribbons
and Robinia wood slats.
• Cladding reveals the interior scheme,
with lower walls finished with upright
timber slats
• Upper section featuring vertical bands of
anodized aluminum.
• A steel viewing platform at the top for
viewing17th-century Belfry tower, a
UNESCO Heritage Site and the La Haine
river.
Mons International Convention Centre
illustration by: manojthapaarts
source: youtube.com
illustration by: manojthapaarts
36.
Architectural Elements
Mons ConventionCentre
1.Reinforced insulation of opaque walls refers to the use of insulation materials that provide
enhanced protection against electrical shock and improved thermal performance.
2. Performance glazing refers to advanced glass technologies designed to improve the energy
efficiency, comfort, and functionality of windows and facades in buildings
Interior Features
-The Center houses
• A grand entrance hall,
• Three auditoriums
(Auditorium seats: Orange Poltrona Frau/Cassina)
• A multi-purpose event hall,
• Conference rooms,
• Offices,
• A restaurant,
• An underground parking
• A public roof terrace
-Bright, open double-height lobby or “Forum”
-Reinforced Insulation of opaque walls
-Performance Glazing System
-skylights cut through the length of the crescent-
shaped space at irregular intervals to usher in daylight,
and create shifting patterns of natural illumination
1
2
source: youtube.com
source: libeskind.com
37.
Parking
Ramp
Technical Rooms
Elevator
Shaft
Parking
Ramp
Lower
Basement
Isometric
Plan
Level 0
Isometric
Plan
Stairs
MainStaircase
Forecourt
General Logistics Multipurpose Space
Restrooms
Stairs
Exhibition /
Circulation Space
Main Entrance
Reception / Dining Hall
Parking Ramp
Deliveries
TECHNICAL ROOM GREEN ROOF
OBSERVATION PLATFORM
Level 2
+8 metre
Isometric
Plan
FORECOURT
WOODEN TERRACE
MAIN ENTRANCE
LARGE AUDITORIUM
(320-505 SEATS)
AUDITORIUM 1
(203 SEATS)
DELIVERIES
DELIVERIES
MANAGEMENT ADMINISTRATION
COMMISSION ROOMS AND INDIVIDUAL
OFFICES
FORECOURT
MAIN ENTRANCE
MAIN STAIRCASE
AUDITORIUM 1 AUDITORIUM 2
Level 1
+5 metre
Isometric Plan
Mons International Convention Centre
source: archdaily.com
38.
Roof
Isometric
Plan
Skylight Green roof
Forecourt
Observation
Platform
Main
entrance
Woodenterrace
Deliveries
Parking Ramp
Observation
platform
Exhibition and
circulation space
Roof garden Reception / dining
hall
Congress center
management
Main
staircase
Main
Entrance
Forecourt
Roof garden Technical Space Observation
platform
Exhibition and circulation
space
Restrooms
Multipurpose
space
Meeting rooms /
Individual offices
source: archdaily.com
39.
Structural and Technical
Aspects
StructuralSystem
• Materials: Cast-in-place concrete with a 3DR
system for curvature.
• Prow: Galvanized steel structure clad with
aluminum.
• Thermal Bridge Free construdtion
Building Services
• Efficient HVAC, advanced acoustics, and ICT
integration.
• Retrieval of rainwater via roof
• Implementation of solar panels on the roof
Mons International Convention Centre
40.
Structural and TechnicalAspects
• Floating Volume: A floating aesthetic, with the building
seemingly suspended above the ground on structural
supports.
• Effect of a hovering mass, while also contributing to the
sense of openness and fluidity
• Large-Span Roof Structure: The roof is supported by a
series of large, curved steel trusses, allowing for an
expansive interior free from internal columns.
Mons International Convention Centre
41.
Materials Used:
Paved StoneFlooring
Solid Wood Grating
Metal
Grating
Greenery (Grass)
Benches
Mons International Convention Centre
source: youtube.com
42.
• Primary structure:Cast-in-place
concrete
• Floors: Light grey concrete with inlaid
Belgium blue stone
• Interior ribbon walls: White plaster
• Walls: Warm grey wood panels in the
lobby, restaurant, and multi-purpose
event space and dark brown wood panels
in auditoriums
• Grand staircase: Cast in place concrete
with white plaster finish and blue stone
steps
• Windows: Aluminum curtain wall, blue
Materials Used:
Mons International Convention Centre
43.
• Urban Context:The modern design contrasts sharply with
Mons' historical architecture, creating a visual disconnect.
• Usability Concerns: The spiraling layout and limited natural
light reduce functionality and user comfort.
• Material Issues: The unfinished Robinia wood and aluminum
may weather poorly over time, leading to aesthetic and
maintenance challenges.
• Unrealized Landmark Potential: Despite its striking form, the
MICX lacks the transformative impact expected of a cultural
landmark.
• Sustainability Limitations: The building's green features,
while present, are not considered cutting-edge by
contemporary standards.
• Community Integration: Public spaces, such as the roof
terrace, are underutilized due to access and design limitations.
CRITIQ
UE
44.
• Aesthetic Appeal:The fluid and organic design
language creates a striking visual identity
• Transparency and Connection: Extensive use of
glass, integration with the surrounding
environment offer a strong visual connection to
the surrounding.
• Sustainability: The building integrates energy-
efficient systems, green roofing, and passive
design strategies to minimize environmental
impact
Conclusion
Mons International Convention Centre
• Architects: PHAand others.
• Area: 21875 m²
• Year: 2021
• City: Lalitpur
• Country: Nepal
• Capacity: 3000
• The building's overall form can resemble a semi-
circular arc or a rising sun with rays radiating
Introduction
SUNRISE CONVENTION
CENTER
“A journey from sunrise to sunset, symbolizing renewal, growth, and harmony with nature”
source :photograph
yr
Access and Parking
• Gates: Three gates—two for vehicle entry/exit and one
for pedestrians.
• Parking: Located behind the building with a loop for
smooth traffic flow
47.
Design Philosophy
Design Philosophy
•Sun-Inspired Form: Semi-circular arc resembling a rising
sun with radiating rays.
• Symbolic Orientation: East-facing entrance, symbolizing
new beginnings; westward extension for a dawn-to-dusk
journey.
• Aesthetic Façade: Durable design representing progress
and resilience.
• Landscape Integration: Pathways mimicking sunrays,
leading to outdoor spaces.
SUNRISE CONVENTION
CENTER
source :photography
Supporting Rooms
• GreenRoom: Located behind the stage.
• Machine Room: Positioned below the
uplifting ramp.
HVAC System
• Available in the main auditorium for
climate control.
Fire Safety
• Available in the main auditorium for
climate control.
SUNRISE CONVENTION
CENTER
source :photography
50.
Design Features/Architectural elements
LightingFeatures:
• Auditorium Lighting: Natural light enters from
three sides near the ceiling, supported by artificial
lighting.
• Multipurpose Halls: Natural light flows in from the
south, ensuring bright spaces.
• Backstage and Utility Areas: Backstage uses
artificial lighting, while utility rooms receive natural
light from the north.
SUNRISE CONVENTION
CENTER
source :photograph
Acoustic Features:
• Sound-Absorbing Walls: Equipped with panels to enhance
acoustics.
• Carpet Flooring: Installed to absorb sound and minimize
echoes.
• Furniture Design: Wooden, upholstered in soft fabric to aid
sound attenuation.
• Ceiling Design: Structured to evenly reflect sound across the
hall.
51.
Structural Aspects andMaterials
Angled beams holding the roof
SUNRISE CONVENTION
CENTER
source :photography
52.
Sustainability and Environment
Considerations
•Incorporate nature by keeping native vegetation
intact, clearing the site under control, and adding
landscaping that blends in with the surrounding
environment.
• Trusses enable the creation of large, column free
spaces in the multipurpose halls
• The large glass surfaces allow ample natural light
to penetrate the halls, reducing the need for artificial
lighting during the day
SUNRISE CONVENTION
CENTER
source :photography
53.
Critiques
Features
• Underutilized liftslack functional integration.
• Inadequate kitchen space limits catering efficiency
• Lack of catwalk for maintenance accessibility
• Small stage and poorly planned rooms reduce usability.
• No clear separation between VIP and general
accommodation areas.
• The service sewage from the ceiling and the challenging
maintenance of electric lights create operational
inefficiencies.
SUNRISE CONVENTION
CENTER
source :photography
The Sunrise Convention Center uses eco-friendly materials
like brick and glass, promoting energy efficiency, natural
lighting, and thermal comfort
Its design blends with the Godavari jungle, providing scenic
views, maintaining a cool environment, and minimizing
ecological disruption
Located away from the crowded city, the Sunrise Convention
Center offers a serene environment, free from traffic
congestion, with ample parking space.
Conclusion
54.
Introduction
NEPAL PRAGYA PRATISTHAN
Architect:Shankar nath Rimal
Area: 50 ropani ,25436 square meters.
Year: 2014 BS
Location: Kamaladi
Country: Nepal
Auditorium Capacity: 1323 (833-Lower,
490-Balcony Seating)
Programs related to:
languages, literature, culture, philosophy
and social sciences of Nepal.
/archirelated.blogspot.com
नेपाल प्रज्ञा–प्रतिष्ठान – Nepal Academy – Official Website
casestudy review
55.
Design features
नेपाल प्रज्ञा–प्रतिष्ठान– Nepal Academy – Official Website
• Blending Modern and Traditional:
Combines modern materials with
traditional Nepali motifs, including brick
facades, modern windows, and
plastered surfaces.
• Dramatic Entrance and Landscaping:
Features a garden with a central pond
and a temple-like entrance,
emphasizing cultural significance.
NEPAL PRAGYA PRATISTHAN
56.
Introduction
sketch
NEPAL PRAGYA PRATISTHAN
•Access: Accessible from four sides,
with two actively in use.
• Parking: Surface parking available.
• Landscape: Features water bodies,
greenery, and paved walkways.
• Additional Amenities: Includes a
library, bookshop, and Pragya Dabali.
57.
Spatial planning andFunctional spaces
SPACES
Auditorium:
Seats around 1323 people with a semi-
circular layout for clear sightlines and
excellent acoustics.
Flexible Spaces:
Includes areas for art exhibitions,
conferences, and performances,
adaptable for multiple uses.
NEPAL PRAGYA PRATISTHAN
source:photography
• Structural Innovation
:Uses precast girders, diaphragm wall
s, and shear walls for earthquake resis
tance, with cantilevered structures sup
ported by circular columns.
• Cubical Form
: A cubical design with cantilevered sec
tions, reflecting modern architectural p
rinciples.
https://thekathmandupost.com/
https://www.scribd.com
NEPAL PRAGYA PRATISTHAN
strutural aspects
source:photography
60.
• The auditoriumuses only
artificial lighting.
• Exhibition halls, conference rooms,
and offices receive natural light
from the south, enhanced with
artificial lighting
.
• Library and staircases utilize north-
facing light for soft, diffused
illumination.
FEATURES
Lighting Features
Artificial
lighting.
Natural
lighting.
NEPAL PRAGYA PRATISTHAN
source:photography
61.
Use of skylightin corridor
Illumination inside Use of transparent CGI sheet Used as light well
Features
NEPAL PRAGYA PRATISTHAN
62.
Architectural Acoustics
• WallTreatment:
Wooden stripes on lower walls and
perforated acoustic panels above
effectively control sound diffusion and
absorption.
• Ceiling and Flooring:
The ceiling incorporates sound-diffusing
panels, while carpeted floors minimize
sound reflections.
PERFORATED ACOUSTIC PANELS WOODEN STRIPES WITH MESH
NEPAL PRAGYA PRATISTHAN
PROTUTED SURFACE FOR SOUND DIFFUSION
source:photography
features
63.
features
NEPAL PRAGYA PRATISTHAN
•Integrated Sound System:
Built-in wall loudspeakers ensure efficient sound
reinforcement.
Furniture Materials:
Wooden seating, upholstered in soft fabric,
enhances sound and audience comfort.
source:photography
Architectural Acoustics
64.
• Four conferencerooms on the
first and second floors, each
seating 60-70 people.
• Named after Nepali poets, with
ample storage space.
• One room has an elevator for
easy access from the ground
floor.
Architectural Features
CONFERENCE ROOM
U- SHAPED SEATING
ARRANGEMENT
NEPAL PRAGYA PRATISTHAN
source:photography
features
conclusion
strength
• Steep anglein auditorium balcony.
• No notable efforts in sustainability.
• Randomly placed parking spaces.
• Lacks a proper exhibition hall and
residential areas.
• Absence of dining facilities.
• Does not emphasize inclusive design.
• Small opening for maintainance of
Features
NEPAL PRAGYA PRATISTHAN
limitations
• Grand foyer and aesthetically appealing
landscaping.
• Blend of traditional and modern techniques.
• Well-executed exhibition and circulation
areas.
• Skylights used throughout.
• Purposefully designed and well-equipped
auditorium.
DAKAR
• Inspired bySenegal’s Baobab trees, known for
their longevity and cultural significance.
• symbolize Africa’s progress
• Integration of cultural symbolism with
modern design
• Represents unity and shelter, much like the
symbolic tree under which kings once met
QUALITATIVE
ANALYSIS
1. Design and Aesthetic
Appeal
Nepal Pragya Pratisthan
• Combines modern materials with traditional
Nepali motifs.
• Contemporary architectural design of
ribbion windows
• Strong sense of Vertical and horizonatal
lines
• Imitating the traditional Nepali
architecture : Brick facade and wooden
windows
69.
QUALITATIVE
ANALYSIS
1. Design andAesthetic
Appeal
MICX
• Expression of contrasting geometry
• Modern geometry with historic city
situated near the French border
• Designed as a landmark for the city
Sunrise Convention Center
• Semi-circular arc representing rising sun with
rays radiating outward.
• East-facing entrance, symbolizing new
beginnings; westward extension for a dawn-to-
dusk journey.
• Design blends seamlessly with the Godavari
jungle
70.
QUALITATIVE
ANALYSIS
2. Functional Designand Spatial
Planning
SUNRISE CONVENTION CENTER
• There is no separate pathway for
VIPs
• Multipurpose Rooms had their own
separate entrances
DAKAR
• Units linked by water and bridges symbolize
community foundations.
• For VIP and Public separate pathways ensure smooth
flow and security
• Private bridge to exclusive spaces.
• Simple and Effective zoning and multifunctionality.
Public/Press Entry
Commercial/ Delegates Entry
VIP/Presidential Entry
Public Spaces
Semi Public Spaces
Private Spaces
Security Camp
Technical Building
Connecting Space
Public Spaces
Auditorium
Green Room
VIP Room
Auditorium Sound Room
Main Entrance
71.
QUALITATIVE
ANALYSIS
3.VISITOR’S
EXPERIENCE
NEPAL PRAGYA PRATISTHAN
•Built-in wall loudspeakers ensure efficient sound
reinforcement and greenscaping in exterior.
• Wooden seating, upholstered in soft fabric,
enhances sound and audience comfort
• High slope balcony seating ensues dear and
insecurity
• For VIP and Public separate pathways ensure
smooth flow and security
DAKAR
• Balances openness for communal activities and
privacy for state affairs.
• Highlight culture and facilitate public engagement.
• Mesh Curtain Façade: Functions as a sun-break,
reducing heat and enhancing shading while
maintaining transparency.
• Water Body enhance cooling through evaporative
techniques, promoting a natural microclimate.
72.
MICX
• Reinforced Insulationof opaque walls
• Performance glazing system
• Solar panels on the roof
• Thermal Bridge Free construction
• Façade: Champagne aluminum ribbons
and Robinia wood slats, Vertical bands of
anodized aluminum
• Cast-in-place concrete with a 3DR system
for curvature
QUALITATIVE
ANALYSIS
4. Materials
Used NEPAL PRAGYA PRATISTHAN
• TRANSPARENT CGI SHEET FOR
LIGHTING INTERIOR
• P
recast girders, diaphragm walls, and s
hear walls for earthquake resistance
• Wooden stripes and perforated
panels
• Ceiling incorporates sound-diffusing
panels
73.
QUALITATIVE
ANALYSIS
5. TECHNOLOGY AND
ENVIRONMENTALDESIGN
MICX
• Aluminum curtain wall
• Night cooling
• Green roof
• Photovoltaic cells
• Geothermal heating system
• Passive shading
• High-level insulation
DAKAR
• Water Body
• Heat-Resistant Glass
• Twisted Facade Blades
• Semi-Transparent
Metal Envelope
74.
QUALITATIVE
ANALYSIS
6. URBAN IMPACTAND
COMMUNITY IMPACT
MICX
• The fluid and organic design language
• Strong visual connection to the surrounding.
• simple, yet dramatic
• Key element in a plan for economic
revitalization
• New architectural landmark for Mons
Sunrise Convention Center
• Contributes in holding large scale
national programs
• Landmark for Godawari suburban area
MICX
• On trackto achieve Valideo
status B, which is Belgium’s
equivalent to LEED Gold
DAKAR
• APPLIED FEW SUSTAINABLE
MEASURES LIKE HEAT RESISTANT
GLASS, TWISTED FACADE BLADES,
MESH CURTAIN FACADE, WATER
BODIES
8. Focus On
Sustainability
Nepal Pragya Pratisthan
• Not focused on Sustainability
Sunrise Convention Center
• Not focused on Sustainability
77.
QUANTITATIVE
ANALYSIS
• Annual Footfall:The Sunrise Godavari
Convention Center hosts 15–20 events annually,
demonstrating its popularity as a venue.
• 25,000 to 30,000 people, showcasing its capacity
to accommodate large gatherings effectively
• Event Hosting Capacity: The Sunrise Godavari
Convention Center features a main auditorium
with a 3,000-person capacity and two
multipurpose halls, each accommodating 1,000
people
SUNRISE CONVENTION CENTER
9.Visitor Statistics
• Annual Footfall: Hosts a variety of school events,
cultural programs, and performances,
accommodating up to 1,300 attendees annually.
• Event Hosting Capacity: Features a 1,300-seat
auditorium and four multipurpose halls, each
with a capacity of 180 people.
NEPAL PRAGYA PRATISTHAN
78.
1.Daylighting
Sunrise:
auditorium had naturallighting
too, dark corridor spaces
Pragya Prathisthan
use of side as well as top
lighting, no natural lighting in
auditorium.
Dakar
glass facade allowing ample
light inside hall
Mons
Daylight and skylight integrated
for interior illumination.
Case/Criteria Dakar Int’l MICX Sunrise
Pragya
Pratisthan
Basic:
• Cleanliness
• HVAC
• Conferrence
hall
• Toilets
• lacked clean
washrooms
• leaking ceilings
• dark corridors
• Steep balcony
Seatings
• Low Handrails
• lacks proper
acoustics
Performance:
• Accessibility
• Cost of
Transportation
• Parking
Convieniance
• F and B outlets
• no proper
designation of
spaces
• away from
city center
• No F&B
outlets
• No
accomodation
facilities
• ill managed
open spaces
• no F&B outlets
Excitement Level
• Unique Design
• VIP Facilities
unique design
inspiration from
native trees and
unique design
solutions
primary
purpose of this
design is to act
as visual
landmark at
mons
Curved Design tries
to create unique
visual aesthetics yet
its implication is poor
its architecture was
unique at the time
of design but
outdated now
article based
79.
SITE
ANALYSIS
• LOCATION -KHUMALTAR ,
LALITPUR
• SITE AREA-16786 sq m / 33-0-0-0
• ELEVATION-1320 m
• TOPOGRAPHY- FAIRLY FLAT LAND
• CLIMATE- SUB-TROPICAL
MONSOON
MAIN ROAD ACCESS
ROAD ACCESS
WAY TO GODAARI
N
PHYSICAL CONSIDERATION
1.0.9M BELOW THE MAIN ROAD
2.HUMAN SETTLEMNT ON
NORTHEN SIDE
3.LOW RISE BUILDING
80.
• High CommercialArea: Include meeting spaces and open exhibition
areas.
• Research Hub Nearby: Plan collaborative zones or adaptable
workspaces.
• North-South Axis: Optimize sunpath with shading and natural light
strategies.
• North-West Entrance: Use for exhibitions, leveraging good views and
INFERENCE
Strengths:
• Convenient access to essential
services and resources.
• Easy road accessibility to the site.
• Located in a developing commercial
and business area.
Weaknesses:
• Lack of accommodation options
nearby.
• Noise pollution from nearby roads,
industries, or public spaces.
Opportunities:
• Potential for business and economic
growth in the area.
• Opportunities for integrating
sustainability initiatives.
Threats:
• Risk of similar future constructions
affecting uniqueness.
SWOT Analysis
N